Liminal States, Kraupa-Tuskany Zeidler, 2019-2020
Untitled (Trap), 2019, glazed ceramic, rusted steel screws and chain 15 x 37.5 x 41 cm
Untitled (Trap), 2019, glazed ceramic, steel screws 17 x 36 x 40 cm
Untitled (Trap), 2019, glazed ceramic, steel screws 33.5 x 35 x 35 cm
Untitled (Trap), 2019, glazed ceramic, steel screws 27 x 33 x 31.5 cm
Untitled (Egg), 2019 latex, glazed ceramic 20 x 18.5 x 19.5 cm
Untitled (Egg), 2019 latex, glazed ceramic 17 x 14.6 x 17 cm
Untitled (Egg), 2019 latex, glazed ceramic 26 x 26.5 x 28.3 cm
Installation view, Liminal States, paintings by Miriam Mania Munsky
Installation view, Liminal States, paintings by Miriam Mania Munsky
Installation view, Liminal States, drawings by Kyung-Me

Group show with Hanna-Maria Hammari, Agata Ingarden, Cathy Josefowitz, Kyung-Me, Tau Lewis, Maina-Miriam Munsky

We tend to think our minds are in control of our corporeal selves, but the body breathes without our consent or cooperation. We’re always with, and inseparable from, our bodies. Its permeable form sometimes makes it difficult to identify its boundaries, where cognition is extended beyond the physique. The fear of the wound (trauma) reminds us both how our bodies contain and our minds betray us. In ‘Liminal States’, four contemporary and two historical artistic positions trace different topographies of the self and its (post)corporeal manifestations. (…)
The coiling tentacles of Hanna-Maria Hammari’s ceramics caught in tightly stretched latex dig deep into our ambiguous feelings towards the flesh. Another set of ceramic sculptures intensifies the psychic tension, leaving uncertain whether they are designed to protect or harm the body. Their solid metal-like appearance stands in stark contrast with the inherent fragility of the glazed ceramic material. (…)
– Excerpt from press text

Photography: Def Image